Showing posts with label Le Negro Succes. Show all posts
Showing posts with label Le Negro Succes. Show all posts

Friday, May 11, 2007

The Fall of the "Community"


As time as moves people are constantly going through changes. In the last few hundred years we have seen technology advance at a very drastic speed. Particularly in recent years. As more technology develops the demand for resources to keep that technology going increases. Naturally as this becomes more and more true for most of the world this speed in technological advances effects people's lives. Particularly those located where these resources are found. Whole cultures have been dramatically changed by this.

Even here in America you can hear people talk about 'The Good Old Days' when the community spirit was much stronger. In places where people can not even afford the technology that they work so hard to keep running, as is the case in much of Africa, Asia and Latin America, the shift in culture hits hard and swift and leaves a sort of confusion that is a bit unique from the situation in the states. In America it's different because American culture has been built on the ideal of money and colonialism. In 'developing' areas The struggle between what once was and what has to be because they have no control is constantly causing conflicts large and small.

One of the smaller conflicts is that of the loss of communal spirit due to the restraints of work and money. Where it was once customary to show up in any village and expect to get fed, have a place to sleep and bathe, accepted with open arms, this can no longer be accepted in an urban society. A society in which you work like a dog to get just *enough* for you and yours. In this new society it would be rude to show up at a person's house (especially where there are children) and expect to be fed. With money being the only way to get food and seeing as though money is so hard earned yet still scarce, this is an understandable shift in culture. Bavon Marie Marie & Les Negro Sucess see it as a negative shift and sing to us how they feel about this loss of community within African culture. On the song Maboke Ya Cherie they sing about a man who has 5 kids and he has to count the pieces of meat he has and can't share. Even with him AND his wife working he doesn't have enough to feed an unexpected guest. Times have changed. Particularly in places like Kinshasa where there are large populations of people. Much of the original culture has practically disappeared.


residential downtown kinshasa circa 2006 (picture courtesy of the blog Eye on Africa)




We must remember too that this song only talks about a small portion of the drastic changes that have come about due to these great advances in technology. There is constant war and famine across the globe among the 'have-nots' all so that the 'haves' may have there technology. Where ever there is a need for charity there has always been a presence of exploitation already present. Control over the resources are taken from the people then 'given' back to them in small portions and at a very high price. Just a reminder to make sure to maintain a level of compassion in your life. Don't let the race for money change you to a level where you have no heart and all you see is money. So many people are dying everyday because they don't have money to feed their families or they live in places where money is worthless and will never see the luxuries we have, those of us who are able to sit in front of a computer right now. Give thanks.


PEACE

Almost forgot today Guy's daughter, and my little sister, turns 10 years old today. Happy Birthday Zynia, enjoy your day Big Girl :)

Monday, April 30, 2007

BAVON MARIE MARIE ET LE NEGROS SUCCES


Bavon Marie Marie was born Siango Bavon Marie Marie on May 27, 1944 in Kinshasa, Congo. He was the type of boy who caused a little trouble but was very intelligent.
He was popular in his "Far West" district of Bosobolo. As he grew older his lifestyle grew more flamboyant, drinking heavily and bleaching his skin. Bavon like his brother the great Franco Luambo Makiadi, was a guitarist and played for a few bands before
he landed a solo guitarist spot in the orchestra Les Negro Succes. In the late 1960s he and his parter Leon Bholen became idols as leaders of Les Negro Success.

His name and legacy can never be detached from that of Franco's though by many accounts Bavon Marie Marie was just as talented as his older brother was. Naturally he was overshadowed by his brothers age, experience and greatness. After all Franco was the Grand Teacher/Le Grand Mattre of Congolese Rumba. It only made sense that as his younger brother Bavon Marie was his student. Bavon Marie's guitar technique was a more youthful, funkier version of his brother's. As I listen to "Lucie Tozongona/Lucie Come Back" (listen to Lucie Tozongana) I hear the obvious nuances he picked up from his
brother such as his sense of rhythm and how he chooses to place his guitar picks. But something is a little more spunky about it. He was like a Franco for the younger generation. His melodies and lyrics were just as infectious.



On August 5th in 1970, Bavon Marie Marie was killed in a fatal car accident. According to Frank Bessums site Musiques d'Afrique, legend has it that the fatal night began with a dispute between Bavon and Franco in which Bavon accused his brother of sleeping with his girlfriend, Lucy. And it ended with Bavon Marie Marie deceased at the wheel and Lucy with no legs. Other sources site his alcoholism and that he was upset that Negro Succes had missed a show. Either way his death is a great tragedy. We will never know what innovations he might have brought to Congolese music had he not died. May he rest in peace.


Bavon Marie Marie had a knack (like his brother) for writing songs that touched the people. On last weeks broadcast Guy played the song "Mwana 15 Ans/15 Year Old Child" a Negro Success song which is sung from the point of view of a 15 year old girl in Congo. She is sad because her family is looking to have her married off soon but she wants to go to school and grow up some more before she does that. Guy played the song in correlation with his examination of Illiteracy among the youth in Africa, particularly the girls and how it affects them socially. 30 some odd years after "Mwana 15 Ans" was released this song is still very relevant today.

Here this masterpiece here:
Mwana 15 Ans



Peace


sources for today's entry:
http://www.geocities.com/fbessem/frames/art_bavon.html
http://www.afrik.com/article7639.html
http://www.laconscience.com/article.php?id_article=114